My ideal client

7 signs we’re the perfect match

I believe in the power of a sharp positioning. That means knowing who you want to work with/sell to, under what circumstances, and why. That may sound arrogant, but it really isn’t – because if you’re considering hiring me, you need to know this, too.

A good positioning goes both ways. If you’re an ideal client for me, then I can provide bulls-eye expertise and you’ll get maximum value out of hiring me. If you’re too far removed from that sweet spot, I can try my best and might still disappoint you.

That’s not to say that we can’t work together unless we’re a perfect fit. But if you’re in the business of selling things, then you know that there’s a wide spectrum of customer-vendor relationships. Some sales are easy — and feel exciting for both parties — while others drag on, and doubt keeps lingering. The buyer is constantly worried they’re not getting their money’s worth, and the vendor is losing the will to live.

Nobody wants that. I’m looking for businesses who are excited to work with me, and you should look for the same in any vendor. I get excited about companies who are eager to move the needle with their Marketing story. I know I’ll do my best work when I’ve spotted a content/messaging situation that I can find a solution for. And it gets even better when I sense my clients trust me because they like my approach. It’s a bit like dating actually – if we’re both really keen, I just know it’ll be great.

So, at the risk of being swiped out of your consideration set within the 3 minutes it’ll take you to read this, here’s what my ideal client looks like:

1. A B2B tech or services company

Your company sells complex products or services to other businesses. I’ve been planning and writing for B2B tech for most of my career and I have a ton of experience in that weird, niche-y, unapologetically geeky, and often awfully corporate space. I work with small and big tech companies, startups, and agencies, so I get to observe market challenges and trends, and how businesses are responding to them. I get to see different creative approaches and develop ideas for cutting through the noise. And, when I work with agencies, I catch glimpses of new and shiny digital marketing tools and how smart digital marketers are using them for B2B. All of that is the strategic capital I’ll bring to the table when we tackle your specific challenge.

TL;DR: if you need help selling handbags on Insta, I’m probably not right for you. Might buy one, tho.

2. A startup or scale-up

I work with a few B2B agencies here in London and help them with content strategy for demand gen, lead gen and ABM. But to be honest: my favourite client is a direct one, i.e. a tech company that needs help with positioning, messaging, and content.

I’m ideal for startups and scale-ups because I’m really good at this – but cheaper. They get the niche expertise they’d usually only get from a specialist B2B agency – but I can offer it for less because I don’t have the overheads of those guys.

Full reveal: that also means I can’t offer a full-service marketing program that includes design, development etc. But you may not be looking for that (yet).

That is to say: We’re a great fit if you need a B2B tech marketing pro, but don’t have an agency budget. Or: if you have design covered, but need help with the positioning, messaging and content side of things.

3. A degree of marketing maturity

I sometimes work with startups that haven’t yet hired anyone to help with Marketing – like a digital marketer, a marketing manager, etc. That doesn’t technically stand in the way of my work. I can still develop a positioning, messaging and content strategy for you. But as a business you’ll get less out of it because you don’t have the resources to get those messages in front of the right eyeballs, to manage campaigns and measure them, and to own your marketing data.

So if you’re not ready to professionalise Marketing to some degree, that’s a bit of a red flag for me. Of course, I can help you create content, write your website, etc. But B2B tech is all about your niche, and these days, you need someone who knows how to reach that niche digitally. I really don’t believe businesses should outsource that data and knowledge anymore – they’re huge assets that are worth owning. Digital marketing is a completely different skillset from mine, and there’s no way any magic will happen if we have spot-on messaging but can’t marry it with the kind of targeting a good performance or digital marketer can engineer.

In short: Hire someone smart to manage your marketing performance for you and I’ll come running.

4. You’ve identified a positioning, messaging or clarity problem

The best situation for me is one where my client knows they need help with messaging. Maybe because your funnel is leaking. The fish aren’t biting. You’re diluting your sales stats with bad leads. I’m running out of water-based metaphors…

I’m right for you if your website is unclear, or your prospects don’t understand what you do (or why they should care), or how your offer is different from vendor X. That’s kind of my bat signal.

If your message is hunky-dory, and your content is already hand-delivering salivating, money-clutching SQLs into your Marketing Automation system, you don’t need me. You need an IPO consultant or something.

5. You appreciate the power of content

I believe that great content will help you sell. And it works when you’re proud of what you know, and willing to share that knowledge and all those opinions that got you to where you are.

If you believe in offering up your expertise to customers you respect, then we’ll do great work together. Because we both know they’re smart people who’ll see through thinly veiled, value-free pseudo-content in no time at all and will penalise you for it. But they will reward you if you help them solve a problem.

If you’re willing to invest the time and resources into letting me find your content sweet spot, your angle and your message, I can help you go to market with something unique.

Content is a long(ish) game, but it’s worth it. If you think you can hack your way to success without being useful, entertaining or honest, then we’re not on the same page. You’ll end up disappointed because I can’t give you the quick fixes you expect from me.

6. You’re willing to invest budget into content creation

This follows from the above. If your content is going to be worth anything, it’ll cost ya something. Good B2B tech writers aren’t easy to find. It really helps if you can add visual zing to your smart words, too, so you’ll need some switched-on designers as well.

I know how daunting this may sound, but it’s money well spent. And ultimately, whether you consider my strategy a success or not will depend on your ability to translate it into assets and tactics. I can build a great plan – but it will fail if we can’t execute on it. I’d just rather be upfront about that.

If you only have a budget for strategy, but no resources for execution, you’ll probably think investing in my work was bloody useless. If you’re worried about exploding costs, let’s talk upfront.

7. You’re up for trying new things

If you’ve worked in B2B tech marketing, you know how boring it can be. Unfortunately, for many businesses, the default MO still is to talk about important-but-inherently-unsexy things like efficiency, productivity, compliance and the like in bureaucratic language that makes absolutely no-one feel anything at all.

If you understand the power of non-generic language, and the energy that empathy, good copy and smart thinking can transport, then we’ll get on. And if in addition to that, you’re up for experimenting with channels and formats, and ready to try out what works and what doesn’t, then I think I may have found a keeper.

That is to say the B2B rulebook isn’t entirely stupid, but a few of its top rules are. If you’re undogmatic about them, we’ll love working together.

Is there… is there anyone still here?

Yes?

Then you’re either up for challenging me on some of the above (please do!), or this must be fate ❤️. In either case, I think you should get in touch this minute.

“Happy high status” in content

3 basic attitudes that make copy great

This is a follow-up from my previous post, Notes on Tone, in which I argued that tone of voice is the opposite of a verbal flourish – but comes from your attitudes, beliefs, and assumptions about your audience: your stance, if you like. (Head here if you haven’t read it). That post was all about explaining this idea. In this one, I try to define what a good stance looks like, i.e. one that results in content with an authoritative, trustworthy ‘tude.

I’m currently reading “How to own the room” by Viv Groskop, a book designed to help women become more confident speakers. It analyses famous women’s speeches – Michelle Obama’s, Chimamanda Ngoze Adichie’s, JK Rowling’s etc — and pulls out certain characteristics of their speaking style that make them exceptional. It’s a pretty good read (probably works for most blokes, too) and it’s got a few excellent bits. One of them is the idea of “happy high status”:

Groskop identifies “happy high status” as an essential element of Michelle Obama’s public speaking performances. It’s basically the idea that if you’re a famous, well-respected person — like George Clooney at a cocktail party — you can do things that other people might find embarrassing, or de-grading, and that might fluster them. In her example, a party guest mistakes black-tie’d George Clooney for a waiter, and asks him for a drink. And instead of getting angry, or annoyed, or yelling “don’t you know who I am!”, good ole tuxedoed George grabs a drink from the real waiter and hands it to the guest, with a smile. That’s happy high status — an unshakeable confidence in who you are and where you’re at. And Groskop’s point is that when you have it, no inappropriate, ‘lowly’ request or misstep will take it away from you. Not even touching the Queen on the back, which apparently Michelle did at one point.

Her other, and maybe even more important point is that Michelle Obama wasn’t born with happy high status. That she had to build up to it, and that it took her a while. And that this means everyone else can learn it, too. (Phew.)

Happy high status in writing

Groskop goes on to argue that “happy high status” isn’t actually conferred by society. It’s an inner attitude that anyone can achieve, regardless of social hierarchy. And when it’s genuine, it’ll make your public speech resonate like nothing else — because it transmits that you’re at ease, happy where you’re at, and not trying to hide anything. But – and this is key – it’s impossible to fake happy high status.

It seems to me that she’s describing the exact same thing that I called a ‘stance’ in my previous post. Well, she talks about public speaking, not content or copywriting. But they all come down to rhetoric. And her analysis holds some terrific stance advice for copywriters – and the brands we write for:

Get to a point where you’re comfortable in your role as a writer.
For a public speaker, it means projecting that you belong up there on stage (Groskop looks at Michelle Obama’s speaking performances over a period of ten years – and claims that in her early ones, she visibly disliked the publicity).

For a copywriter, especially when you’re writing about a niche subject you’ve only just discovered (data privacy engineering or the intricacies of airplane sanding and re-painting, for instance), this can be hard. You might be writing for an audience of specialists, and trying to tell them something new about their world. That can be bloody terrifying. But it’s all the more important that you project confidence in your writing, and signal that you’ve got something interesting to say. (Because if you don’t believe it, your readers definitely won’t.)

It might take a few days of research to get there, or a couple of interviews with experts. But eventually you’ll get to the point where you’ve found the hook, the entry point int your story, and you know you’ve got something good to say. You’re invested, and you care. You’ve earned the right to write about this.

Be generous
In a public speaking engagement, this might mean revealing some of your personal experience, not just talking about a theoretical concept. Groskop refers to a speech of Obama’s in which she opened up about her relationship with her daughters, and how that earned her the trust and attention of her audience.

As a copywriter, it means focusing on the value of your copy to your audience. You’re demanding your reader’s attention, after all. And attention doesn’t come for free. Be generous with what you know. It’s what drives people to your content, and it’s the only thing that will sustain their interest.

Respect your audience
This follows directly from the above. For a public speaker, it’s about engaging with their audience – by the way they speak, and how they interact, keep eye contact, etc. For a copywriter I think it simply means that you need do the groundwork of checking that you’re actually hitting the ‘interesting’ mark with your audience – i.e. do your homework, make sure you understand where they’re at, and what they’re likely to know.

I also believe that you should be careful not to talk down to your imagined reader, but engage in an honest dialogue. Think of them as that whip-smart friend of yours who you think so highly of. You wouldn’t insult their intelligence, would you? You wouldn’t waste their time waffling on and on? So don’t so it to your target audience either. For example, if you’re writing a piece of sales collateral, don’t pretend it’s something different. Acknowledge that you’re selling, but offer something valuable in return. Show them that respect. It’s the secret trick that stops your copy smelling of marketing.

Happy high status is your best default tone of voice

And that’s pretty much it. And while it sounds straightforward, “happy high status” in content is quite hard to achieve – because it’s not about crowd manipulation or cheap tricks. It means being comfortable enough to admit that you can’t help with certain things, and suck at others. It’s about accepting that people might disagree with you – and still being happy to put yourself out there.

But the thing of beauty is this: with a bit of work, every writer can get there. If you’re genuinely respectful, generous and honest while you’re writing, good copy will happen. You will be providing value, and engage your audience – no matter what your tone of voice guidelines say. (And even if you have no tov guidelines at all.) Your writing may not be perfect, or super polished. But you will have done something 90% of all copy out there doesn’t achieve.

And with content pouring left and right out of the well-budgeted brand megaphones, we can’t afford to miss out on this differentiation. It’s liberating, and the best strategy to drive the old marketing moths out of the content closet.

You can find Vivian Groskop’s book here. If you’re going to buy it, please support an independent bookseller.

"You lucky bugger" on a post-it

Notes on tone

Why tone of voice is a stance, not a sprinkle

In this post, I’ll argue that it’s not useful to think of tone of voice as an ornament. Think of it as an attitude instead.

This post has been stewing for a while. Last summer I had some feedback (from an absolutely lovely client) that I found baffling. It led me to sit down and put into words what I believe to be true about tone of voice. I didn’t write it in one go though, which meant that my initial huff dissipated somewhat and my jumbled pile of blog notes ended up sitting in a draft doc for a while because life happened. And one day, as I was browsing through my former employer Velocity’s marketing blog, I saw that Doug Kessler had, of course, already written a piece that said something quite similar to what I was going to say. And had done it beautifully. Damn him.

That made me question whether the idea had ever been mine in the first place, or if maybe I’d already read Doug’s piece but had forgotten about it, and was thinking myself original when I really wasn’t. I didn’t like that thought and ditched the post.

Well, I had lunch with Doug last week and told him about it. He graciously encouraged me to write it anyway. So I did and here you go. (You can find his piece here, but I’d rather you read mine first).

Marketers are latching on to tone of voice – and that’s not always a good thing

Last year, I started working with a new client, who, during our first couple of meetings, kept emphasising how important tone of voice was for them. That they wanted to sound unstuffy and non-academic, and were happy to push the boundaries. That’s great, I thought. Let me at it.

The first couple of pieces I wrote had really low word counts, and not much room to develop any conversational copy while also including all the information that needed to be there. So it was only when I wrote a chunky ebook for them that I realised what they understood “tone of voice” to be.

Let me explain why I think they got it all wrong.

Your readers are tacitly allowing you to sell to them – under the condition that you also provide solid value.

So imagine your standard middle-of-the-funnel type ebook that includes buying advice for its readers – “here’s what you should be looking for when evaluating this kind of software”-type stuff. If you’re a B2B tech copywriter – and even more so if you’re a buyer and regular reader of such content – then you know that this buying advice isn’t entirely impartial. At some point, it will definitely play up a capability that sets the business publishing the ebook apart from its competitors, and emphasise how indispensable it is.

Now I think that’s fair enough. As a reader, you’re aware that it’s a branded ebook given to you by a business with a selling agenda – and you’ll forgive them for trying to sell to you if you still get good stuff out of it. That is if honest, useful advice and deep domain knowledge go along with the selling. It’s the tacit agreement that makes content marketing work. (Bear with me. I’m going somewhere with this).

Now add a sprinkle of tone of voice.

So with this ebook, I had a bigger canvas to develop tone of voice than I’d had with the previous pieces. I aimed for high energy, peer-to-peer, and no-nonsense, and – probably to ingratiate myself with my client – included quite a few phrases that I have now come to think of as “tone of voice cheats” (like calling the reader “you lucky bugger”, referring to software as their “cool new toy” and such. The kind of thing you get loads of from B2C brands like Innocent or Oatly). I hang my head in shame.

Because, as unintended consequences go, these things came to bite me on the bum. As you may have guessed, my client simply loved-loved-loved the cheaty bits – in fact, the main feedback on my copy was to dial those up to eleven – but they cared a lot less for the high-energy, peer-to-peer, and no-nonsense attitude.

They ended up asking me (twice!) to sprinkle in more cute-but-ultimately-hollow expressions. And they also had another amend: they wanted me to remove one particular bit of copy that I felt encapsulated everything we were trying to do with tone of voice in this ebook. It was the phrase in square brackets (x being my client’s category):

Invest in a platform specifically made for x. [We sell such a thing, so of course we would say this – but hear us out.]” 

Their reason for wanting it gone was that “it sounded too salesy”. I found that truly baffling. It’s the opposite of salesy. It’s a wink. It’s acknowledging that there’s a sales agenda, and promising that we’re not going to abuse the privilege of having their attention.

And now that’s exactly where I was going with the above: it’s this stance that I was trying to express with the phrase my client cut. The acknowledgment that both writer and reader are grownups and that we’re not going to bullshit each other. It’s the total opposite of a cheap verbal flourish, and I believe it’s the true essence of tone of voice.

Tone of voice is a stance

Tone of voice is an attitude that expresses how you feel about your audience. It’s made up of the zillion assumptions you make about them: about the world they live in; what they know and what they don’t; why you’re creating content for them; how you think they feel about your business; how much you think they might resist your message; and so on. That makes it incredibly complex. (Which is why it’s also hard to create tone of voice guidelines that are more than crude approximations.)

  • For instance, if you respect your readers’ expertise, you’ll write in a way that takes them seriously, without lecturing them.
  • If you think they’re pressed for time, you’ll keep it short.
  • If you think they might not understand that obscure accounting term you’ve devoted a chapter to, you’ll explain it in a non-jargony way.
  • And if you assume some of them might already have an [x] solution and are highly unlikely to buy yours, you might actually tell them that they’re not your key audience and offer them a kitten meme instead.

Real tone of voice is always there, whether you’re aware of your attitudes or not. It’s not something you sprinkle in after completing draft one. And that means that it can do you a disservice, too, because stance is nearly impossible to fake. Like an old water stain under cheap paint, a not-so-gracious attitude towards your audience (for instance, an overt sales agenda that’s trying to disguise itself) will always come through in your content. For example:

  • If you think your readers are dumb, you might resort to sweeping generalisations in your copy.
  • If you’re trying too hard to be liked, your copy might become cutesy or gymmicky (like mine did).
  • If you’re doing content for content’s sake, your readers will feel your lack of direction.
  • If you’re worried you’ll give away a secret, they’ll feel that you’re holding back on value. (Don’t worry about that by the way. In 99.99% of cases tech marketers aren’t talking about anything their competitors don’t already know).

And the thing is: these are the attitudes that make content deeply unsexy, threadbare, and weak. No amount of sprinkle will change that. Because they mean that you haven’t invested in a stance that’s worth your readers’ while.

So if you want to create impactful copy, make sure you do the hard work: check your knowledge about your audience, where you believe they’re at with their thinking, and how you feel about sharing your expertise. Sprinkles are cheap. Stance is gonna cost you. But it’ll pay, too.